Pioneering women artists

Contents

FRANK, Rosaline (1864-1954)

Rosaline Frank

Rosaline Frank, The Nelson Provincial Museum, Tyree Studio collection

Rosaline Margaret Frank was one of New Zealand's first professional women photographers, and the first  in Nelson.  At the age of 21 she went to work at the Tyree Photographic Studio, which was opened in 1878 by William Tyree. His brother Frederick worked with him for some years. Miss Frank was left to manage the studio while the brothers were away photographing.   Rosaline's main interests were photography, art and music. It was Rosaline who preserved the Tyree glass plate negatives. Some of them were sold to the Alexander Turnbull Library and the rest given to the Nelson Historical Society. These are  are now held at the Nelson Provincial Museum.

Rosalina McCarthy, who became Nelson's second professional woman photographer, urged local photographers and business people to donate to a memorial headstone to Rosaline Frank.  Rosalina has also written a biography on her predecessor.

NAYLOR Marjorie Eleanor  Froom (1909-1985)

In 1932 Marjorie Naylor had taken over and continued the Nelson School of Painting in Hugh Scott's studio.  She was involved in the Nelson Suter Art Society for many years, exhibited in the gallery and had a studio in her home in Bridge Street Nelson. [The small house beside  the Suburban Bus Co., currently Wills jeweller]. Miss Naylor became well known for her portraits and landscapes, with her works in the permanent collection of the Suter Art Gallery and galleries throughout New Zealand and overseas. The director of the Suter Art Gallery, at the time of her death, described Marjorie as a shy, retiring person, a meticulous individual and one liked by many people.

HARRIS Emily Cumming (1837?-1925)

Emily was born about 1837 and arrived in New Plymouth in March 1841 with her parents,  a brother and two sisters. Her father, Edwin Harris, a civil engineer and surveyor, was also an artist. Her mother ran two schools in New Plymouth and Emily became an assistant teacher.

The Harris family moved to Nelson from Taranaki in March 1860, at the time of the Waitara War. Edwin was a drawing master at Nelson College and  then, for nearly twenty years at the Bishop's School. With Emily he conducted a private drawing school. Emily and her sisters also ran an infant school in Nelson, in which Emily bacame a drawing teacher. 

All three sisters painted and sketched,  but Emily was sent to Hobart to study art.   Emily Harris was, of necessity, one of the few pioneering women artists in New Zealand  to try to earn a living solely by painting and teaching drawing.

Emily's diaries, held by the Taranaki Museum,  detail the difficulties she endured in exhibiting. To be an artist in New Zealand's small community meant making the effort to transport work for exhibitions outside Nelson. Her great love was New Zealand  flowers and plants. She also wrote several small books on New Zealand berries, ferns and flowers. Many of her paintings [63] are in the Alexander Turnbull Library in Wellington.

Other notable women artists of the region


Sarah Greenwood
Mina Arndt (1885-1926)
Lady Mabel M. Annesley (1881-1959)
Jane Evans (1946-)
Dorothy Kate Richmond (1861-1935)
Peggy Laird
Nina Davis (1914-1995)
Christine Boswijk (c.1940-)

Sources used in this story

Rosaline Frank

Marjorie Naylor

  • Burial records: Marjorie Eleanor F.: buried ashes 1 February 1985 along with Mary Naylor and Francis and Mary Browne and William and Mary Rogers

Emily Cumming

Mina Arndt

Lady Mabel M. Annesley

  • Butterworth, S. (1999). The Suter : One hundred years in Nelson. Nelson, N.Z.: Nikau Press, p.72
    http://www.worldcat.org/oclc/45727059 
  • Ewing, C.L.(1981) Collected works of the Lady Mabel Annesley 1881-1959 : an exhibition commemorating the centenary of her birth. Nelson : C.L. Ewing
    http://www.worldcat.org/oclc/153248807
  • Mackle, T. (2003) Lady Mabel Annesley : a European perspective in the Antipodes Journal of New Zealand art history, 24, p.73-80
  • Malleson, C. (Ed.)(1964) As the sight is bent : an unfinished autobiography. London : Museum Press
    http://www.worldcat.org/oclc/3960378

Jane Evans

  • 'Amazing present' for Jane Evans (1996, December 31) Nelson Mail,  p.1
  • Brett, C. (1995, Jan.) Kiss of the painter woman : the joy of Jane Evans North and South, n.106:p.106-114
  • Brock, H. (1997, November 1) A life of art-and arthritis. Nelson Mail,  p.15
  • Butterworth, S. (1999). The Suter : One hundred years in Nelson. Nelson, N.Z.: Nikau Press, p.130
    http://www.worldcat.org/oclc/45727059
  • Cape, P. (1979) The painting of Jane Evans. Landfall, 130, p.139-142 Coley, J. (1997) Jane Evans. Christchurch, N.Z. : Hazard Press
    http://www.worldcat.org/oclc/154704117
  • Jane Evans, Artist Nelson New Zealand. Retrieved 27 March 2009 from
     http://www.janeevans-artist.co.nz/
  • Kemp, J.(1990) The art of Jane Evans, 1965-1990. Thesis (M.A.--Art History)-Auckland, N.Z. :University of Auckland
    http://www.worldcat.org/oclc/153893186
  • Moore, C. (1997 December 17) Feeling for colour Press, p.17 
  • Neal. T. (2006, March/April) Magical mystery tour.  Third age New Zealand, 12, p.21-26
  • Neville, P. (1992, August 3) Art from the heart New Zealand Woman's Weekly,  p.38-39 Pearson, H.(ed)(c.2002) Of colours that sing: the art of Jane Evans. Whangaparoa, N.Z.:Interactive Education.
    http://www.worldcat.org/oclc/155966471
  • Powerful attachments (1998) Pacific Wave, 113, p.20
  • Speedy, B. & Gerritsen, N.(1997, Winter) Art forgery : time to take it seriously. Art News. 17 (2)p.30-31

Dorothy Kate Richmond

Peggy Laird

Nina Davis

Christine Boswijk

  • Boswijk, C. (2001) Christine Boswijk : fact fusion faith. [Nelson, N.Z.] : The Suter Te Aratoi o Whakatu
    http://www.worldcat.org/oclc/155709913
  • Eggleton, D. (2002)  The earth's crust. Listener, 185(3258), p.58-59
  • Elliott, M. (2002) Past experience : Christine Boswijk in Nelson  Art New Zealand 102:p.56-58 
  • Moriarty, A. (2004, June 16) Under the surface Nelson Mail, p.17  
  • Neal, T. (2005, Mar/April) Clay shapes life  Third age New Zealand,  p.13-15
  • Williams, H. (1992) Seville, Expo '92. Potter, 34 (1), p.19-23 

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